The same could be said of Agenor (Toby Kebbell), Poseidon's own demigod son, but at least he's "The Navigator." Bill Nighy also makes an appearance as a fallen god but definitely serves only to add another plot device which further complicates the narrative. Unfortunately, her character often feels like an inconsequential tagalong rather than someone who provides a real benefit to the dangerous journey. This time around, the monarch joins Perseus's adventure into the underworld in hopes of rescuing Zeus from captivity and stopping granddad from escaping his eternal prison inside Tartarus. Pike replaces Alexa Davalos as the princess now turned Queen Andromeda who was meant as sacrifice to the Kraken in the comparatively boring remake. They are led by the lovely Rosamund Pike, who looks absolutely stunning no matter how much dirt and mud they fling at her face. Don't get me wrong, the dialogue is still pretty stupid and shallow, but South African director Jonathan Liebesman ('Darkness Falls,' 'Battle: Los Angeles') has us overlooking the script's banality by hastily moving from one plot point to the next yet slowing down for a staggeringly splendid clash against the mightiest Titan of them all: Kronos.ĭuring this rather amusingly entertaining battle, a human army readies in the sidelines, mouths agape at the magnificence of an erupting volcano and seeing a gargantuan god spew lava and ash everywhere. In the first few minutes, Zeus (Liam Neeson) and Poseidon (Danny Huston) are betrayed by their brother Hades (Ralph Fiennes) and Zeus's son Ares (Édgar Ramírez). The filmmakers of 'Wrath' correct this by jumping into the CGI spectacle sooner, as in the chimera scene, and moving into the heart of the plot with a more energetic pace. It dwells too long on stupid, shallow dialogue, and makes audiences wait for the spectacular action, which is the primary reason for watching it in the first place.
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Part of the problem with the first movie - of which there are a few - is the general lack of interest. What is a pacifist fisherman with the power of the gods supposed to do? As might be expected, his overprotectiveness is justified when a chimera suddenly ravages his village and threatens the life of his son. Even when he's relaxing by his seaside home and fishing with his ten-year-old son, Helius (John Bell), the man barely ever breaks a smile and seems to live with a thick air of furious apprehension, as if knowing before we do that something major is about to go down.
Granted, much of it is physically expressed by the incessantly enraged face of Sam Worthington reprising his role as the demigod Perseus, leaving behind a titanically deep furrow on his forehead. To be sure, there is a whole lot of wrathful behavior going on in this story about the strained relationship between siblings, and at a surprisingly but mildly deeper level, the distant bond of father and son. Its follow-up, 'Wrath of the Titans,' fixes all that, starting with a more menacing title and a story from a trio of writers which lives up to its promise. The implied 'Clash' was more of a mild quarrel. The remake's only claim to notoriety is not featuring any actual Titans and for being an even bigger waste of your time in 3D. Of course, when that predecessor is to be the miserably boring ' Clash of the Titans (2010),' a remake of the 1981 favorite, it's not really much of a challenge to do better. It's rare to find a sequel that surpasses its predecessor, let alone matches it in terms of entertainment value.
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